Though traditional Yiddish culture kept women from performing in public, they came to play an enormous role in the modern development of the form--particularly as actors and singers, but often as managers, owners, and in other ways.
Rosa Rapoport and Teatro IFT in Buenos Aires
Sholem Asch at the End of the World
Curtain Falls on the Sunshine Theatre
The Yiddish Dramatic Repertoire: A User’s Guide
Rubber Bullets at False Targets: On Dzigan and Shumacher’s Performance in the Soviet Union
Revival and Homage Productions of Yiddish Theatre